5.0 out of 5 stars Instant classic

C. · June 17, 2016

(function() { P.when('cr-A', 'ready').execute(function(A) { if(typeof A.toggleExpanderAriaLabel === 'function') { A.toggleExpanderAriaLabel('review_text_read_more', 'Read more of this review', 'Read less of this review'); } }); })(); .review-text-read-more-expander:focus-visible { outline: 2px solid #2162a1; outline-offset: 2px; border-radius: 5px; } I have been a fan of Taylor Swift approximately since 2007, after I heard her debut LP that was released in the year 2006. Since then, I have listened to all of her records and I was able to witness her changes throughout the years. I always wanted to write a review about Taylor Swift’s 1989 album, but I thought it would be best to do it after that “era” was over. Now, after almost a year and a half after its release, I decided to write a track-by-track review.First of all, 1989 is Taylor Swift’s first documented pop album. She always flirted with the concept of pop songs but she never went full-out with it. When you listen to 1989, you notice that it is a pop album, but it is far from bubblegum-pop meaningless songs that make no sense at all. As the album title suggests, she was inspired by the music and ideas that were flowing in the decade she was born in, and you can notice that in some songs. Every song on the album is perfectly crafted, they all have her signature heart-on-her-sleeve-open-diary songwriting but you can notice that she has grown as a person by reading the lyrics, something I highly recommend.This album includes the following songs:-Welcome To New York: it is the perfect song to start the album with. Right from the start you can tell that it is a pop song and it sets the tone of 1989. Taylor sings about how moving to the magical and eclectic city of New York changed her and her perspective.-Blank Space: it is one of the best lyrically-written songs on the album. This song is about the man-eating image the media has created of her. Instead of sitting in a corner and cry, she decides to take on that idea and create a catchy song about that fictional character that was created of her.-Style: if there is one song in 1989 that definitely sounds like the 80’s, this is it. In this one she sings about that kind of relationship that always comes back around (“they never go out of style”) and you can hear a Miami Vice vibe hear that is perfect for this song.-Out Of The Woods: this is one of the many highlights of the album. It has a chorus that really makes you feel what she was feeling (“are we out of the woods yet?”) and it is written so perfectly it will be hard to get it out of your head.-All You Had To Do Was Stay: in this song, Taylor does something she has never done before: she incorporated a high-pitched “Stay” in the chorus. The song tells the story of how her lover broke all of his promises and she tells him that the only thing he had to do was stay, but it is too late for him to return.-Shake It Off: probably the most up-beat song on the album, “Shake It Off” is an ode to her independence from everybody else's opinion. In this instant hit, Taylor declares that she is aware of all the things that she is criticized for, but she is not going to change who she is in order to be more liked, she is just going to “shake off” the haters.-I Wish You Would: this is a very innovative song from the point of view of the narrative: it constantly goes between the point of view of two people that were in a relationship and how they wish the other one knew how they really feel.-Bad Blood: This song is about betrayal, and how Taylor was affected by the other person’s actions. It has some strong beats that really makes this song stand out. It would be great if the album also had the version with Kendrick Lamar.-Wildest Dreams: a slow-paced song in which she sings about a relationship that she knows she is going to end sometime soon, so she wishes that her partner remembers her in the best way possible (“standing in a nice dress, staring at the sunset”). It is a great song that starts with a minimalistic sound then develops into a larger-than-life song and then goes back again to that intimate sound.-How You Get The Girl: a funny, upbeat song about how a man has to win her heart back. It almost feels like a step-by-step guide met a fairytale, and that is awesome. It is one of the most full-out pop songs and she nails it perfectly.-This Love: this slow song feels like it could be sung by millions of people in a stadium while still feeling intimate. It paints the situation of how she felt her lover had gone but he reappeared out of the blue.-I Know Places: when you listen to this song for the first time, you might say that it is different from what she has done before: and it is exactly that. You can feel that this song is almost like a movie (it even has the sound of a movie starting and stopping at the beginning and at the end of the song, respectively). It is a great song about the fragility of a relationship at the beginning and how she wishes to keep the media away from them given how publicly known she is.-Clean: the song that closes the standard edition of the album, Clean is a masterpiece. In this song, Taylor refers to her relationship as something not healthy for her. She has grown out of it and she wishes to get “clean”, just like an addiction. It really makes you stand in her shoes and it is beautifully written.All in all, 1989 is an amazing album that rightfully won “Album Of The Year” at the Grammy's. I completely recommend it because it shows that Taylor Swift knows who she is and you can see it reflect on her music. Now, all there is left to do is to eagerly wait for her new music and smashing hits.

5.0 out of 5 stars I love

T.M. · May 14, 2025

Very good product, sealed wine and it is not broken. I love this version, even if it is the stolen version, I love it, I wanted it from CD to listen to it without feeling guilty.

5.0 out of 5 stars 2010 REVISITED

l. · July 11, 2015

Before I opened "1989" I wondered to myself who IS this Taylor Swift, and how and why has she taken America and the World by storm. Now that I am listening to the CD for the second time, I have to say, that it has been since 2010-2011 and Katy Perry's "Teenage Dream - The Compleat Confection" that I have been so affected by a CD. I know already that there are several songs on "1989" for which I hit the "repeat" button as soon as the song begins.The first time I listened to "1989" I thought I was listening to the latest version of the young women singers who haunt our background music in stores and on certain radio frequencies. "1989" certainly bears, to my ears, a strong resemblance to "Teenage Dream." I am just an amateur, just another reviewer; a lorry driving, packer and carter, who relies on and works by a loud continuous moving beat and rhythm. Until one takes a second listen to "1989" one could work to Taylor coming out of one boom box and Katy out of another simultaneously. It takes a shorter time to understand Taylor. Her voice is lighter and perhaps more enunciated and pronounced than Katy's. "1989" is crisper and more sharply defined than "Teenage Dream" although similar themes range through each CD. "1989" continues the age-old search to express the angst, frustration, heartache and heartbreak of human existence. It recounts the existential war or battle between the genders, and between us all.Having been brought up by The Beatles and having formally studied them in High School, I can only be a wanna be "Katy Kat" and a wanna be "Swiftie" or whatever Taylor's devotees are called. The Jesuits found The Beatles to be worth studying; I cannot say if they would have included Taylor or Katy in the English curriculum. Back then we were largely left to "study music" in our rooms on our own time. It is kind of like what "Chris" (Charlie Sheen's character in "Platoon") said as he was lifting off from Vietnam for the last time. The old Sergeants did their best to teach us "to try with what's left of our lives to find a goodness and meaning to this life." If I had to be buried today, I could be lowered with Katy on the boombox on one side and Taylor on the boombox on the other side.A lot of time has passed, and it is obvious that Taylor is a creature of her times with her "like"'s and "uh"s and "um"s and "like you know"s. There are few who can simply speak well nowadays, but as long as the troubadours of time can write and sing understandable lyrics, even an old lorry driver can shed a tear for love and lost love.

Episode Twenty Seven: In Defence of Taylor Swift’s 1989

C.F. · May 22, 2015

(function() { P.when('cr-A', 'ready').execute(function(A) { if(typeof A.toggleExpanderAriaLabel === 'function') { A.toggleExpanderAriaLabel('review_text_read_more', 'Read more of this review', 'Read less of this review'); } }); })(); .review-text-read-more-expander:focus-visible { outline: 2px solid #2162a1; outline-offset: 2px; border-radius: 5px; } http://diariesofacatnamedvirtute.com/2014/11/18/episode-twenty-seven-in-defence-of-taylor-swifts-1989/It’s no secret that Virtute and I share a mutual love for Taylor Swift. On many evenings after a long day of writing (or in Virtute’s case shifting around the house looking for the sunniest spot to sleep), we often enjoy letting loose to the epic Taylor Swift album, Red. I dance around the house and he usually chases the “Virtute limited edition one inch mylar crinkle ball“. At the time, Virtute had described the album as “A deep rumination on the fickleness of relationships, a gruelling grappling with the pressures of normative gender constructions, and the small beauties of new loves.” So, as you could imagine we were both anxiously anticipating the release of Taylor Swift’s 1989.Upon a first listen, I was devastated. The album seemed to strip the personal and thoughtful work that T.Swift puts into crafting her lyrically driven music for a bubble-gum pop that was lacking in substance. The release of the video for “shake it off” seemed to confirm my fears. So after a few weeks I had to ask Virtute his assessment. As usual, he surprised me with his take: “The album on many levels is indeed a move away from the personal, but that doesn’t mean that it is without merit and upon deep reflection we come to understand the new paradoxes gripping Taylor’s life. It seems as though we spend too much time policing the decisions of young women in music as in life. While it is evident that Taylor Swift has always been a mainstream pop artist, it at least appears as though she is having fun with the writing process and sometimes we should be open to experimentation and play in music. Even Kendrick Lamar thinks so. ” I’ve heard this line of argument from Virtute before, so I wanted to push him by asking what if the manipulation was not in our interpretation of her work but in the way the industry pushes for a vapid and thoughtless array of music that sounds the same.Virtute looked away for a long time. He reflected and finally said, “I don’t have an answer”. It was shocking, not having an answer is very unusual for Virtute. But before I could speak up to say so, he continued, “I think Taylor Swift answers that question herself on the new album. She states:See the vultures circling in dark cloudsLove’s a fragile little flame, it could burn outIt could burn out cause they got their cages, they got their boxes, and guns, they are the hunters, we are the foxes and we runBaby I know places we won’t be found and they’ll be chasing their tails tryin’ to track us down.”And so we have made plans to purchase the 1989 LP when it is released on December 9th and we’ll be developing our defence further. Virtute’s loyalty is often unparalleled.

LO CONSIGLIO

L. · March 19, 2025

ALTRO BEL CD DI TAYLOR, SUPER

Great sound, a nice pressing!

S.T. · April 20, 2024

Received the vinyl in excellent condition, I love the care that Bolo/vendor took to pack the vinyl very nicely. Love the sound, a very good pressing indeed!

大好き

A.カ. · December 10, 2024

良かった

CD música

e.c. · June 3, 2025

Mi hija feliz con su música.