Description:
From the #1 New York Times bestselling author of The Family Upstairs and None of This Is True comes an “acutely observed family drama” (People) about the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her.
And then she was gone.
Now, her mother, Laurel Mack, is trying to put her life back together. It’s been ten years since her youngest child disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters—and his youngest, Poppy, takes Laurel’s breath away.
Because looking at Poppy is like looking at Ellie.
Laurel is haunted by her long unanswered questions. What happened to Ellie? Did she run away from home, as the police have long suspected? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
Ellie Mack was the perfect daughter. She was fifteen, beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her.
And then she was gone.
Now, her mother, Laurel Mack, is trying to put her life back together. It’s been ten years since her youngest child disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters—and his youngest, Poppy, takes Laurel’s breath away.
Because looking at Poppy is like looking at Ellie.
Laurel is haunted by her long unanswered questions. What happened to Ellie? Did she run away from home, as the police have long suspected? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
Review
Praise for Then She Was Gone:
“Then She Was Gone is a riveting thriller.” ― PopSugar
“Jewell teases out her twisty plot at just the right pace, leaving readers on the edge of their seats. There will surely be comparisons to novels such as Emma Donoghue’s Room (2010) as well as all of the “Girl” thrillers, but Jewell’s latest really isn’t at all derivative. Her multilayered characters are sheer perfection, and even the most astute thriller reader won’t see where everything is going until the final threads are unknotted. Those few who do guess early won’t mind, as the pace and prose will keep them hooked.” ― Booklist (starred review)
“Jewell gets more riveting and twisty with every book she writes. Completely absorbing, fast-paced, well-written and with a shocking ending that will keep readers guessing, Then She Was Gone is a nearly pitch-perfect thriller. Fans of Gillian Flynn, Paula Hawkins and Ruth Ware are sure to adore this haunting novel.” ― Shelf Awareness
“More than a whiff of The Lovely Bones wafts through this haunting domestic noir from bestseller Jewell…Skillfully told by several narrators, Jewell’s gripping novel is an emotionally resonant story of loss, grief, and renewal.” ― Publishers Weekly
"For thriller readers, Jewell's latest will not disappoint. Sharply written with twists and turns, it will please fans of Gone Girl, The Girl on the Train, or Luckiest Girl Alive." ― Library Journal
“In addition to being a complex and genuinely suspenseful narrative, Then She Was Gone is a rich study of the ways in which people respond to grief and how past trauma can continue to shape their decision-making and relationships years or decades later. Readers will be truly affected by Ellie’s real story once it’s revealed—and they’ll be satisfied by the hopeful yet bittersweet ending. Jewell demonstrates once again that she has what it takes to genuinely shock, surprise and move her readers.” ― Book Reporter
"What begins as a story about the mother of a missing girl starting a new relationship as she comes terms with her grief morphs into a gripping, disturbing and utterly fascinating tale about what really happened to young Ellie Mack. I've been a Lisa Jewell fan for a long time and in this book, as in all her others, she deftly weaves a compelling plot with an emotional depth that leaves you gasping. In Then She Was Gone she has created a book that is dark and claustrophobic but also heartfelt and moving. Then She Was Gone packs a huge emotional punch that will leave you winded. I loved it." -- C.L. Taylor, bestselling author
"If you were the first of your friends to read Girl On The Train, and have read Gone Girl more times than you can remember, then here is your summer read. A thriller about a 15-year-old girl who has vanished and a mother who won’t give up hope. A perfect Pimm’s companion." ― The Sun (UK)
"Smart and engrossing." ― Sunday Mirror (UK)
"A dark, compulsive psychological thriller, yet one which is also uplifting and tender. I absolutely loved Then She Was Gone." ― Rachel Rhys, author of Dangerous Crossing
"Jewell has departed from chick lit and gone full tilt into a psycho thriller, but she’s lost none of her brilliance… Deeply emotional and incredibly clever. Bravo." ― Mail Online
Praise for I Found You:
“Lisa Jewell is a brilliant storyteller, creating suspenseful yet believable novels time and again. I Found You is no exception—filled with intriguing characters connected in startling ways. Quickly paced yet delicately nuanced, this novel is sure to appeal to fans of Big Little Lies and The Woman in Cabin 10.” ― Shelf Awareness (starred review)
"Jewell is a wonderful storyteller. Her characters are believable, her writing is strong and poetic, and her narrative is infused with just enough intrigue to keep the pages turning. Readers of Liane Moriarty, Paula Hawkins, and Ruth Ware will love." ― Library Journal (starred review)
“How [the] plots intersect and finally collide is one of the great thrills of reading Jewell’s book. She ratchets up the tension masterfully, and her writing is lively.” ― New York Times Book Review
"Jewell keeps the reader guessing." ― New York Post, Required Reading column
“The structure keeps the suspense level high, and Jewell manages surprising revelations all the way up to the ending. The mix of women’s fiction and suspense—plus a no-nonsense 40-something heroine at the heart of the story—makes this a good fit for fans of Liane Moriarty.” ― Booklist
“Riveting…numerous twists avoid predictability, and the novel is well-paced as it weaves three narratives together. Dark and moody, this is a mystery with substance.” ― Kirkus Reviews
"One word: wow! This latest offering from Jewell starts off strong and keeps readers riveted until the very last word…this book is ‘unreliable narrator’ at its best!" ― RT Book Reviews
“Jewell is a genuinely original and skilled novelist with an impressive flair for deftly crafted narratives and surprising plot development.” ― Midwest Book Review
“Then She Was Gone is a riveting thriller.” ― PopSugar
“Jewell teases out her twisty plot at just the right pace, leaving readers on the edge of their seats. There will surely be comparisons to novels such as Emma Donoghue’s Room (2010) as well as all of the “Girl” thrillers, but Jewell’s latest really isn’t at all derivative. Her multilayered characters are sheer perfection, and even the most astute thriller reader won’t see where everything is going until the final threads are unknotted. Those few who do guess early won’t mind, as the pace and prose will keep them hooked.” ― Booklist (starred review)
“Jewell gets more riveting and twisty with every book she writes. Completely absorbing, fast-paced, well-written and with a shocking ending that will keep readers guessing, Then She Was Gone is a nearly pitch-perfect thriller. Fans of Gillian Flynn, Paula Hawkins and Ruth Ware are sure to adore this haunting novel.” ― Shelf Awareness
“More than a whiff of The Lovely Bones wafts through this haunting domestic noir from bestseller Jewell…Skillfully told by several narrators, Jewell’s gripping novel is an emotionally resonant story of loss, grief, and renewal.” ― Publishers Weekly
"For thriller readers, Jewell's latest will not disappoint. Sharply written with twists and turns, it will please fans of Gone Girl, The Girl on the Train, or Luckiest Girl Alive." ― Library Journal
“In addition to being a complex and genuinely suspenseful narrative, Then She Was Gone is a rich study of the ways in which people respond to grief and how past trauma can continue to shape their decision-making and relationships years or decades later. Readers will be truly affected by Ellie’s real story once it’s revealed—and they’ll be satisfied by the hopeful yet bittersweet ending. Jewell demonstrates once again that she has what it takes to genuinely shock, surprise and move her readers.” ― Book Reporter
"What begins as a story about the mother of a missing girl starting a new relationship as she comes terms with her grief morphs into a gripping, disturbing and utterly fascinating tale about what really happened to young Ellie Mack. I've been a Lisa Jewell fan for a long time and in this book, as in all her others, she deftly weaves a compelling plot with an emotional depth that leaves you gasping. In Then She Was Gone she has created a book that is dark and claustrophobic but also heartfelt and moving. Then She Was Gone packs a huge emotional punch that will leave you winded. I loved it." -- C.L. Taylor, bestselling author
"If you were the first of your friends to read Girl On The Train, and have read Gone Girl more times than you can remember, then here is your summer read. A thriller about a 15-year-old girl who has vanished and a mother who won’t give up hope. A perfect Pimm’s companion." ― The Sun (UK)
"Smart and engrossing." ― Sunday Mirror (UK)
"A dark, compulsive psychological thriller, yet one which is also uplifting and tender. I absolutely loved Then She Was Gone." ― Rachel Rhys, author of Dangerous Crossing
"Jewell has departed from chick lit and gone full tilt into a psycho thriller, but she’s lost none of her brilliance… Deeply emotional and incredibly clever. Bravo." ― Mail Online
Praise for I Found You:
“Lisa Jewell is a brilliant storyteller, creating suspenseful yet believable novels time and again. I Found You is no exception—filled with intriguing characters connected in startling ways. Quickly paced yet delicately nuanced, this novel is sure to appeal to fans of Big Little Lies and The Woman in Cabin 10.” ― Shelf Awareness (starred review)
"Jewell is a wonderful storyteller. Her characters are believable, her writing is strong and poetic, and her narrative is infused with just enough intrigue to keep the pages turning. Readers of Liane Moriarty, Paula Hawkins, and Ruth Ware will love." ― Library Journal (starred review)
“How [the] plots intersect and finally collide is one of the great thrills of reading Jewell’s book. She ratchets up the tension masterfully, and her writing is lively.” ― New York Times Book Review
"Jewell keeps the reader guessing." ― New York Post, Required Reading column
“The structure keeps the suspense level high, and Jewell manages surprising revelations all the way up to the ending. The mix of women’s fiction and suspense—plus a no-nonsense 40-something heroine at the heart of the story—makes this a good fit for fans of Liane Moriarty.” ― Booklist
“Riveting…numerous twists avoid predictability, and the novel is well-paced as it weaves three narratives together. Dark and moody, this is a mystery with substance.” ― Kirkus Reviews
"One word: wow! This latest offering from Jewell starts off strong and keeps readers riveted until the very last word…this book is ‘unreliable narrator’ at its best!" ― RT Book Reviews
“Jewell is a genuinely original and skilled novelist with an impressive flair for deftly crafted narratives and surprising plot development.” ― Midwest Book Review
About the Author
Lisa Jewell is the #1 New York Times bestselling author of twenty-four novels, including Don’t Let Him In, None of This Is True, The Family Upstairs, and Then She Was Gone, as well as Invisible Girl and Watching You. Her novels have sold more than fifteen million copies internationally, and her work has also been translated into over thirty languages. Connect with her on X @LisaJewellUK, on Instagram @LisaJewellUK, and on Facebook @LisaJewellOfficial.
Excerpt. © Reprinted by permission. All rights reserved.
Prologue PROLOGUE
Those months, the months before she disappeared, were the best months. Really. Just the best. Every moment presented itself to her like a gift and said, Here I am, another perfect moment, just look at me, can you believe how lovely I am? Every morning was a flurry of mascara and butterflies, quickening pulse as she neared the school gates, blooming joy as her eyes found him. School was no longer a cage; it was the bustling, spotlit film set for her love story.
Ellie Mack could not believe that Theo Goodman had wanted to go out with her. Theo Goodman was the best-looking boy in year eleven, bar none. He’d also been the best-looking boy in year ten, year nine, and year eight. Not year seven though. None of the boys in year seven were good-looking. They were all tiny, bug-eyed babies in huge shoes and oversized blazers.
Theo Goodman had never had a girlfriend and everyone thought maybe he was gay. He was kind of pretty, for a boy, and very thin. And just, basically, really, really nice. Ellie had dreamed about being with him for years, whether he was gay or not. She would have been happy just to have been his friend. His young, pretty mum walked to school with him every day. She wore gym gear and had her hair in a ponytail and usually had a small white dog with her that Theo would pick up and kiss on the cheek before placing it gently back down on the pavement; then he would kiss his mum and saunter through the gates. He didn’t care who saw. He wasn’t embarrassed by the powder-puff dog or his mum. He was self-assured.
Then one day last year, just after the summer holiday, he had struck up a conversation with her. Just like that. During lunch, something to do with some homework assignment or other, and Ellie, who really knew nothing much about anything, knew immediately that he wasn’t gay and that he was talking to her because he liked her. It was totally obvious. And then, just like that, they were boyfriend and girlfriend. She’d thought it would be more complicated.
But one wrong move, one tiny kink in the time line, it was all over. Not just their love story, but all of it. Youth. Life. Ellie Mack. All gone. All gone forever. If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along. But back then, when she knew nothing about anything, she had not seen it coming. She had walked straight into it with her eyes open.
Those months, the months before she disappeared, were the best months. Really. Just the best. Every moment presented itself to her like a gift and said, Here I am, another perfect moment, just look at me, can you believe how lovely I am? Every morning was a flurry of mascara and butterflies, quickening pulse as she neared the school gates, blooming joy as her eyes found him. School was no longer a cage; it was the bustling, spotlit film set for her love story.
Ellie Mack could not believe that Theo Goodman had wanted to go out with her. Theo Goodman was the best-looking boy in year eleven, bar none. He’d also been the best-looking boy in year ten, year nine, and year eight. Not year seven though. None of the boys in year seven were good-looking. They were all tiny, bug-eyed babies in huge shoes and oversized blazers.
Theo Goodman had never had a girlfriend and everyone thought maybe he was gay. He was kind of pretty, for a boy, and very thin. And just, basically, really, really nice. Ellie had dreamed about being with him for years, whether he was gay or not. She would have been happy just to have been his friend. His young, pretty mum walked to school with him every day. She wore gym gear and had her hair in a ponytail and usually had a small white dog with her that Theo would pick up and kiss on the cheek before placing it gently back down on the pavement; then he would kiss his mum and saunter through the gates. He didn’t care who saw. He wasn’t embarrassed by the powder-puff dog or his mum. He was self-assured.
Then one day last year, just after the summer holiday, he had struck up a conversation with her. Just like that. During lunch, something to do with some homework assignment or other, and Ellie, who really knew nothing much about anything, knew immediately that he wasn’t gay and that he was talking to her because he liked her. It was totally obvious. And then, just like that, they were boyfriend and girlfriend. She’d thought it would be more complicated.
But one wrong move, one tiny kink in the time line, it was all over. Not just their love story, but all of it. Youth. Life. Ellie Mack. All gone. All gone forever. If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along. But back then, when she knew nothing about anything, she had not seen it coming. She had walked straight into it with her eyes open.
Details:
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Then She Was Gone: A Novel
Product ID: U1501154656
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Visit the Atria Store
Then She Was Gone: A Novel
Product ID: U1501154656
|
Imported From: United States
At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.
Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.
Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.
If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.
Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.
While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.
Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.
BOLO operates in accordance with the laws and regulations of Bahrain. Any items found to be restricted or prohibited for sale within the Bahrain will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Bahrain are listed on our website.
All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.
All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.
Description:
From the #1 New York Times bestselling author of The Family Upstairs and None of This Is True comes an “acutely observed family drama” (People) about the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her.
And then she was gone.
Now, her mother, Laurel Mack, is trying to put her life back together. It’s been ten years since her youngest child disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters—and his youngest, Poppy, takes Laurel’s breath away.
Because looking at Poppy is like looking at Ellie.
Laurel is haunted by her long unanswered questions. What happened to Ellie? Did she run away from home, as the police have long suspected? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
Ellie Mack was the perfect daughter. She was fifteen, beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her.
And then she was gone.
Now, her mother, Laurel Mack, is trying to put her life back together. It’s been ten years since her youngest child disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters—and his youngest, Poppy, takes Laurel’s breath away.
Because looking at Poppy is like looking at Ellie.
Laurel is haunted by her long unanswered questions. What happened to Ellie? Did she run away from home, as the police have long suspected? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
Review
Praise for Then She Was Gone:
“Then She Was Gone is a riveting thriller.” ― PopSugar
“Jewell teases out her twisty plot at just the right pace, leaving readers on the edge of their seats. There will surely be comparisons to novels such as Emma Donoghue’s Room (2010) as well as all of the “Girl” thrillers, but Jewell’s latest really isn’t at all derivative. Her multilayered characters are sheer perfection, and even the most astute thriller reader won’t see where everything is going until the final threads are unknotted. Those few who do guess early won’t mind, as the pace and prose will keep them hooked.” ― Booklist (starred review)
“Jewell gets more riveting and twisty with every book she writes. Completely absorbing, fast-paced, well-written and with a shocking ending that will keep readers guessing, Then She Was Gone is a nearly pitch-perfect thriller. Fans of Gillian Flynn, Paula Hawkins and Ruth Ware are sure to adore this haunting novel.” ― Shelf Awareness
“More than a whiff of The Lovely Bones wafts through this haunting domestic noir from bestseller Jewell…Skillfully told by several narrators, Jewell’s gripping novel is an emotionally resonant story of loss, grief, and renewal.” ― Publishers Weekly
"For thriller readers, Jewell's latest will not disappoint. Sharply written with twists and turns, it will please fans of Gone Girl, The Girl on the Train, or Luckiest Girl Alive." ― Library Journal
“In addition to being a complex and genuinely suspenseful narrative, Then She Was Gone is a rich study of the ways in which people respond to grief and how past trauma can continue to shape their decision-making and relationships years or decades later. Readers will be truly affected by Ellie’s real story once it’s revealed—and they’ll be satisfied by the hopeful yet bittersweet ending. Jewell demonstrates once again that she has what it takes to genuinely shock, surprise and move her readers.” ― Book Reporter
"What begins as a story about the mother of a missing girl starting a new relationship as she comes terms with her grief morphs into a gripping, disturbing and utterly fascinating tale about what really happened to young Ellie Mack. I've been a Lisa Jewell fan for a long time and in this book, as in all her others, she deftly weaves a compelling plot with an emotional depth that leaves you gasping. In Then She Was Gone she has created a book that is dark and claustrophobic but also heartfelt and moving. Then She Was Gone packs a huge emotional punch that will leave you winded. I loved it." -- C.L. Taylor, bestselling author
"If you were the first of your friends to read Girl On The Train, and have read Gone Girl more times than you can remember, then here is your summer read. A thriller about a 15-year-old girl who has vanished and a mother who won’t give up hope. A perfect Pimm’s companion." ― The Sun (UK)
"Smart and engrossing." ― Sunday Mirror (UK)
"A dark, compulsive psychological thriller, yet one which is also uplifting and tender. I absolutely loved Then She Was Gone." ― Rachel Rhys, author of Dangerous Crossing
"Jewell has departed from chick lit and gone full tilt into a psycho thriller, but she’s lost none of her brilliance… Deeply emotional and incredibly clever. Bravo." ― Mail Online
Praise for I Found You:
“Lisa Jewell is a brilliant storyteller, creating suspenseful yet believable novels time and again. I Found You is no exception—filled with intriguing characters connected in startling ways. Quickly paced yet delicately nuanced, this novel is sure to appeal to fans of Big Little Lies and The Woman in Cabin 10.” ― Shelf Awareness (starred review)
"Jewell is a wonderful storyteller. Her characters are believable, her writing is strong and poetic, and her narrative is infused with just enough intrigue to keep the pages turning. Readers of Liane Moriarty, Paula Hawkins, and Ruth Ware will love." ― Library Journal (starred review)
“How [the] plots intersect and finally collide is one of the great thrills of reading Jewell’s book. She ratchets up the tension masterfully, and her writing is lively.” ― New York Times Book Review
"Jewell keeps the reader guessing." ― New York Post, Required Reading column
“The structure keeps the suspense level high, and Jewell manages surprising revelations all the way up to the ending. The mix of women’s fiction and suspense—plus a no-nonsense 40-something heroine at the heart of the story—makes this a good fit for fans of Liane Moriarty.” ― Booklist
“Riveting…numerous twists avoid predictability, and the novel is well-paced as it weaves three narratives together. Dark and moody, this is a mystery with substance.” ― Kirkus Reviews
"One word: wow! This latest offering from Jewell starts off strong and keeps readers riveted until the very last word…this book is ‘unreliable narrator’ at its best!" ― RT Book Reviews
“Jewell is a genuinely original and skilled novelist with an impressive flair for deftly crafted narratives and surprising plot development.” ― Midwest Book Review
“Then She Was Gone is a riveting thriller.” ― PopSugar
“Jewell teases out her twisty plot at just the right pace, leaving readers on the edge of their seats. There will surely be comparisons to novels such as Emma Donoghue’s Room (2010) as well as all of the “Girl” thrillers, but Jewell’s latest really isn’t at all derivative. Her multilayered characters are sheer perfection, and even the most astute thriller reader won’t see where everything is going until the final threads are unknotted. Those few who do guess early won’t mind, as the pace and prose will keep them hooked.” ― Booklist (starred review)
“Jewell gets more riveting and twisty with every book she writes. Completely absorbing, fast-paced, well-written and with a shocking ending that will keep readers guessing, Then She Was Gone is a nearly pitch-perfect thriller. Fans of Gillian Flynn, Paula Hawkins and Ruth Ware are sure to adore this haunting novel.” ― Shelf Awareness
“More than a whiff of The Lovely Bones wafts through this haunting domestic noir from bestseller Jewell…Skillfully told by several narrators, Jewell’s gripping novel is an emotionally resonant story of loss, grief, and renewal.” ― Publishers Weekly
"For thriller readers, Jewell's latest will not disappoint. Sharply written with twists and turns, it will please fans of Gone Girl, The Girl on the Train, or Luckiest Girl Alive." ― Library Journal
“In addition to being a complex and genuinely suspenseful narrative, Then She Was Gone is a rich study of the ways in which people respond to grief and how past trauma can continue to shape their decision-making and relationships years or decades later. Readers will be truly affected by Ellie’s real story once it’s revealed—and they’ll be satisfied by the hopeful yet bittersweet ending. Jewell demonstrates once again that she has what it takes to genuinely shock, surprise and move her readers.” ― Book Reporter
"What begins as a story about the mother of a missing girl starting a new relationship as she comes terms with her grief morphs into a gripping, disturbing and utterly fascinating tale about what really happened to young Ellie Mack. I've been a Lisa Jewell fan for a long time and in this book, as in all her others, she deftly weaves a compelling plot with an emotional depth that leaves you gasping. In Then She Was Gone she has created a book that is dark and claustrophobic but also heartfelt and moving. Then She Was Gone packs a huge emotional punch that will leave you winded. I loved it." -- C.L. Taylor, bestselling author
"If you were the first of your friends to read Girl On The Train, and have read Gone Girl more times than you can remember, then here is your summer read. A thriller about a 15-year-old girl who has vanished and a mother who won’t give up hope. A perfect Pimm’s companion." ― The Sun (UK)
"Smart and engrossing." ― Sunday Mirror (UK)
"A dark, compulsive psychological thriller, yet one which is also uplifting and tender. I absolutely loved Then She Was Gone." ― Rachel Rhys, author of Dangerous Crossing
"Jewell has departed from chick lit and gone full tilt into a psycho thriller, but she’s lost none of her brilliance… Deeply emotional and incredibly clever. Bravo." ― Mail Online
Praise for I Found You:
“Lisa Jewell is a brilliant storyteller, creating suspenseful yet believable novels time and again. I Found You is no exception—filled with intriguing characters connected in startling ways. Quickly paced yet delicately nuanced, this novel is sure to appeal to fans of Big Little Lies and The Woman in Cabin 10.” ― Shelf Awareness (starred review)
"Jewell is a wonderful storyteller. Her characters are believable, her writing is strong and poetic, and her narrative is infused with just enough intrigue to keep the pages turning. Readers of Liane Moriarty, Paula Hawkins, and Ruth Ware will love." ― Library Journal (starred review)
“How [the] plots intersect and finally collide is one of the great thrills of reading Jewell’s book. She ratchets up the tension masterfully, and her writing is lively.” ― New York Times Book Review
"Jewell keeps the reader guessing." ― New York Post, Required Reading column
“The structure keeps the suspense level high, and Jewell manages surprising revelations all the way up to the ending. The mix of women’s fiction and suspense—plus a no-nonsense 40-something heroine at the heart of the story—makes this a good fit for fans of Liane Moriarty.” ― Booklist
“Riveting…numerous twists avoid predictability, and the novel is well-paced as it weaves three narratives together. Dark and moody, this is a mystery with substance.” ― Kirkus Reviews
"One word: wow! This latest offering from Jewell starts off strong and keeps readers riveted until the very last word…this book is ‘unreliable narrator’ at its best!" ― RT Book Reviews
“Jewell is a genuinely original and skilled novelist with an impressive flair for deftly crafted narratives and surprising plot development.” ― Midwest Book Review
About the Author
Lisa Jewell is the #1 New York Times bestselling author of twenty-four novels, including Don’t Let Him In, None of This Is True, The Family Upstairs, and Then She Was Gone, as well as Invisible Girl and Watching You. Her novels have sold more than fifteen million copies internationally, and her work has also been translated into over thirty languages. Connect with her on X @LisaJewellUK, on Instagram @LisaJewellUK, and on Facebook @LisaJewellOfficial.
Excerpt. © Reprinted by permission. All rights reserved.
Prologue PROLOGUE
Those months, the months before she disappeared, were the best months. Really. Just the best. Every moment presented itself to her like a gift and said, Here I am, another perfect moment, just look at me, can you believe how lovely I am? Every morning was a flurry of mascara and butterflies, quickening pulse as she neared the school gates, blooming joy as her eyes found him. School was no longer a cage; it was the bustling, spotlit film set for her love story.
Ellie Mack could not believe that Theo Goodman had wanted to go out with her. Theo Goodman was the best-looking boy in year eleven, bar none. He’d also been the best-looking boy in year ten, year nine, and year eight. Not year seven though. None of the boys in year seven were good-looking. They were all tiny, bug-eyed babies in huge shoes and oversized blazers.
Theo Goodman had never had a girlfriend and everyone thought maybe he was gay. He was kind of pretty, for a boy, and very thin. And just, basically, really, really nice. Ellie had dreamed about being with him for years, whether he was gay or not. She would have been happy just to have been his friend. His young, pretty mum walked to school with him every day. She wore gym gear and had her hair in a ponytail and usually had a small white dog with her that Theo would pick up and kiss on the cheek before placing it gently back down on the pavement; then he would kiss his mum and saunter through the gates. He didn’t care who saw. He wasn’t embarrassed by the powder-puff dog or his mum. He was self-assured.
Then one day last year, just after the summer holiday, he had struck up a conversation with her. Just like that. During lunch, something to do with some homework assignment or other, and Ellie, who really knew nothing much about anything, knew immediately that he wasn’t gay and that he was talking to her because he liked her. It was totally obvious. And then, just like that, they were boyfriend and girlfriend. She’d thought it would be more complicated.
But one wrong move, one tiny kink in the time line, it was all over. Not just their love story, but all of it. Youth. Life. Ellie Mack. All gone. All gone forever. If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along. But back then, when she knew nothing about anything, she had not seen it coming. She had walked straight into it with her eyes open.
Those months, the months before she disappeared, were the best months. Really. Just the best. Every moment presented itself to her like a gift and said, Here I am, another perfect moment, just look at me, can you believe how lovely I am? Every morning was a flurry of mascara and butterflies, quickening pulse as she neared the school gates, blooming joy as her eyes found him. School was no longer a cage; it was the bustling, spotlit film set for her love story.
Ellie Mack could not believe that Theo Goodman had wanted to go out with her. Theo Goodman was the best-looking boy in year eleven, bar none. He’d also been the best-looking boy in year ten, year nine, and year eight. Not year seven though. None of the boys in year seven were good-looking. They were all tiny, bug-eyed babies in huge shoes and oversized blazers.
Theo Goodman had never had a girlfriend and everyone thought maybe he was gay. He was kind of pretty, for a boy, and very thin. And just, basically, really, really nice. Ellie had dreamed about being with him for years, whether he was gay or not. She would have been happy just to have been his friend. His young, pretty mum walked to school with him every day. She wore gym gear and had her hair in a ponytail and usually had a small white dog with her that Theo would pick up and kiss on the cheek before placing it gently back down on the pavement; then he would kiss his mum and saunter through the gates. He didn’t care who saw. He wasn’t embarrassed by the powder-puff dog or his mum. He was self-assured.
Then one day last year, just after the summer holiday, he had struck up a conversation with her. Just like that. During lunch, something to do with some homework assignment or other, and Ellie, who really knew nothing much about anything, knew immediately that he wasn’t gay and that he was talking to her because he liked her. It was totally obvious. And then, just like that, they were boyfriend and girlfriend. She’d thought it would be more complicated.
But one wrong move, one tiny kink in the time line, it was all over. Not just their love story, but all of it. Youth. Life. Ellie Mack. All gone. All gone forever. If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along. But back then, when she knew nothing about anything, she had not seen it coming. She had walked straight into it with her eyes open.
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