
Description:
Editorial Reviews
Review
Vibe is written as a song itself, which means it extends beyond the realm of higher academia. In fact, I argue that Vibe is a song that needs to be heard more by those outside of the ivory towers. -- Lauren Carpenter ― Southern Review of Books
The importance of this book cannot be understated. It should be required reading for any graduate program concerned about training socially conscious and methodologically sound scholars who endeavor to provide an authentic and fulsome accounting of any aspect of the social world: a uniquely sociological project that this book takes very seriously. -- Greg Wilson ― Sociology of Race and Ethnicity
Vibe was described by one reviewer as ‘a rare and gorgeous book.’ Another wrote:
‘I’ve never read a book like this. Miles’s approach to ethnography, theory, and feeling is extraordinary.’ The book’s use of autoethnography was praised for its effectiveness: ‘Miles uses autoethnography to great effect . . . grounding complex theory in personal and cultural context.’ The theoretical dimension was likewise lauded: ‘Miles adopts and generates theoretical insights that are timely, resonant, and deeply rooted in cultural critique.’ Vibe powerfully combines rigorous scholarship with poetic expression, offering a landmark contribution to sound studies and Black cultural research.
Vibe is an important exploration of the aesthetics of Black life and hip-hop in the rural American South. -- Dasan Ahanu, alumnus of the Nasir Jones Hiphop Fellowship at Harvard University and cofounder and managing director of Black Poetry Theatre
In a fresh and personable style, Corey J. Miles examines and theorizes trap music as a necessary emotional response to cyclical, racialized trauma. Vibe is a refreshing and needed addition to the growing body of hip-hop scholarship on the contemporary American South. -- Regina N. Bradley, author of Chronicling Stankonia: The Rise of the Hip-Hop South
Vibe is a lesson on emotions, hip-hop, the Black South, and storytelling. A must-read. -- B. Brian Foster, author of I Don't Like the Blues: Race, Place, and the Backbeat of Black Life
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Vibe: The Sound and Feeling of Black Life in the American South (Margaret Walker Alexander Series in African American Studies)
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Visit the University Press of Mississippi Store
Vibe: The Sound and Feeling of Black Life in the American South (Margaret Walker Alexander Series in African American Studies)

BHD1536
Quantity:
Order today to get by 7-14 business days
Delivery fee of BHD 2. Free for orders above BHD 20.
Imported From: United States
At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.
Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.
Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.
If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.
Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.
While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.
Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.
BOLO operates in accordance with the laws and regulations of Bahrain. Any items found to be restricted or prohibited for sale within the Bahrain will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Bahrain are listed on our website.
All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.
All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.
Description:
Editorial Reviews
Review
Vibe is written as a song itself, which means it extends beyond the realm of higher academia. In fact, I argue that Vibe is a song that needs to be heard more by those outside of the ivory towers. -- Lauren Carpenter ― Southern Review of Books
The importance of this book cannot be understated. It should be required reading for any graduate program concerned about training socially conscious and methodologically sound scholars who endeavor to provide an authentic and fulsome accounting of any aspect of the social world: a uniquely sociological project that this book takes very seriously. -- Greg Wilson ― Sociology of Race and Ethnicity
Vibe was described by one reviewer as ‘a rare and gorgeous book.’ Another wrote:
‘I’ve never read a book like this. Miles’s approach to ethnography, theory, and feeling is extraordinary.’ The book’s use of autoethnography was praised for its effectiveness: ‘Miles uses autoethnography to great effect . . . grounding complex theory in personal and cultural context.’ The theoretical dimension was likewise lauded: ‘Miles adopts and generates theoretical insights that are timely, resonant, and deeply rooted in cultural critique.’ Vibe powerfully combines rigorous scholarship with poetic expression, offering a landmark contribution to sound studies and Black cultural research.
Vibe is an important exploration of the aesthetics of Black life and hip-hop in the rural American South. -- Dasan Ahanu, alumnus of the Nasir Jones Hiphop Fellowship at Harvard University and cofounder and managing director of Black Poetry Theatre
In a fresh and personable style, Corey J. Miles examines and theorizes trap music as a necessary emotional response to cyclical, racialized trauma. Vibe is a refreshing and needed addition to the growing body of hip-hop scholarship on the contemporary American South. -- Regina N. Bradley, author of Chronicling Stankonia: The Rise of the Hip-Hop South
Vibe is a lesson on emotions, hip-hop, the Black South, and storytelling. A must-read. -- B. Brian Foster, author of I Don't Like the Blues: Race, Place, and the Backbeat of Black Life
About the Author
Details:
Similar suggestions by Bolo
Share with
Or share with link
https://www.bolo.bh/products/U149684890K