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Electronic and Experimental Music: Technology, Music, and Culture

Description:

Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music―from its historical beginnings in the late nineteenth century to its everchanging present―recounting the musical ideas that arose in parallel with technological progress. In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices. This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western.

New to this edition:

  • A reorganized and revised chapter structure places technological advances within a historical framework.
  • Shorter chapters offer greater modularity and flexibility for instructors.
  • Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more.
  • An appendix of historically important electronic music studios around the globe.

Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills. Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.


Review

"Electronic and Experimental Music: Technology, Music, and Culture is one of the most comprehensive and up-to-date references for teaching experimental computer music. This work provides an incisive overview of the field, to understand the history and current practice of computer music."

―Terence M. Pender, Associate Director, Computer Music Center, Columbia University

About the Author

Thom Holmes is a music historian and composer. He studied composition with Paul Epstein in Philadelphia, published the magazine Recordings of Experimental Music (1979–85), and worked with John Cage. He has recently been a member of Composers Inside Electronics, an electronic music performing ensemble dedicated to the realization of works by David Tudor. Holmes produces a personal blog, Noise and Notations, writes the blog Moog: A History in Recordings for the Bob Moog Foundation, and originated and maintains the Holmes Archive of Electronic Music, a curated collection of vintage electronic music recordings spanning the years 1930-85.

Details:

Electronic and Experimental Music: Technology, Music, and Culture

Product ID: K1138365467
Condition: New

BHD3838

Price includes VAT & Import Duties
Type: Paperback
Availability: In Stock

Quantity:

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Order today to get by 7-14 business days

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Returns & Warranty policies

Imported From: United Kingdom

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of Bahrain. Any items found to be restricted or prohibited for sale within the Bahrain will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Bahrain are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Electronic and Experimental Music: Technology, Music, and Culture

Product ID: K1138365467
Condition: New
Electronic and Experimental Music: Technology, Music, and Culture-0
Type: Paperback

BHD3838

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

This item qualifies for free delivery

Returns & Warranty policies

Imported From: United Kingdom

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of Bahrain. Any items found to be restricted or prohibited for sale within the Bahrain will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Bahrain are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music―from its historical beginnings in the late nineteenth century to its everchanging present―recounting the musical ideas that arose in parallel with technological progress. In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices. This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western.

New to this edition:

  • A reorganized and revised chapter structure places technological advances within a historical framework.
  • Shorter chapters offer greater modularity and flexibility for instructors.
  • Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more.
  • An appendix of historically important electronic music studios around the globe.

Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills. Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.


Review

"Electronic and Experimental Music: Technology, Music, and Culture is one of the most comprehensive and up-to-date references for teaching experimental computer music. This work provides an incisive overview of the field, to understand the history and current practice of computer music."

―Terence M. Pender, Associate Director, Computer Music Center, Columbia University

About the Author

Thom Holmes is a music historian and composer. He studied composition with Paul Epstein in Philadelphia, published the magazine Recordings of Experimental Music (1979–85), and worked with John Cage. He has recently been a member of Composers Inside Electronics, an electronic music performing ensemble dedicated to the realization of works by David Tudor. Holmes produces a personal blog, Noise and Notations, writes the blog Moog: A History in Recordings for the Bob Moog Foundation, and originated and maintains the Holmes Archive of Electronic Music, a curated collection of vintage electronic music recordings spanning the years 1930-85.

Details: